PRIMARY SOURCES

ON COPYRIGHT

(1450-1900)

Royal Order on Music Copyright , Madrid (1837)

Source: Archivo Histórico Nacional; AHN, Consejos, 11404, Exp. 056

Citation:
Royal Order on Music Copyright , Madrid (1837), Primary Sources on Copyright (1450-1900), eds L. Bently & M. Kretschmer, www.copyrighthistory.org

Back | Record | Images | No Commentaries
Translation only | Transcription only | Show all | Bundled images as pdf

1 translated page

Chapter 1 Page 1



      Section 4th
      Circular

                        Several music teachers have indicated
                        to Your Majesty the Governing Queen the need for
                        a regulation that protects the ownership of their
                        original works of art. These tend to be recorded and
                        performed in theatres without the authors’ permission;
                        and if Your Majesty were to consider that productions
                        of this kind deserve the same protection as literary works
                        as they are all the fruit of imagination and understanding,
                        that it be declared that all current regulations with regard
                        to printing written documents be extensive to engraving
                        musical compositions. Orders should also be given for
                        their observance, pursuant to the Royal Orders of 5 May
                        1837,and 8 April last, for performing dramatic pieces:
                        all this should be understood while the Spanish Parliament
                        passes the draft bill that will be submitted on the different
                        parts of literary and artistic property. By Royal Order,
                        I hereby notify Your Majesty for your intelligence
                        and corresponding effects. May God save your Majesty many
                        years. Madrid, 9 May 1839






Translation by: Kay Leach

    


Copyright History resource developed in partnership with:


Our Partners


Copyright statement

You may copy and distribute the translations and commentaries in this resource, or parts of such translations and commentaries, in any medium, for non-commercial purposes as long as the authorship of the commentaries and translations is acknowledged, and you indicate the source as Bently & Kretschmer (eds), Primary Sources on Copyright (1450-1900) (www.copyrighthistory.org).

With the exception of commentaries that are available under a CC-BY licence (compliant with UKRI policy) you may not publish individual documents or parts of the database for any commercial purposes, including charging a fee for providing access to these documents via a network. This licence does not affect your statutory rights of fair dealing.

Although the original documents in this database are in the public domain, we are unable to grant you the right to reproduce or duplicate some of these documents in so far as the images or scans are protected by copyright or we have only been able to reproduce them here by giving contractual undertakings. For the status of any particular images, please consult the information relating to copyright in the bibliographic records.


Primary Sources on Copyright (1450-1900) is co-published by Faculty of Law, University of Cambridge, 10 West Road, Cambridge CB3 9DZ, UK and CREATe, School of Law, University of Glasgow, 10 The Square, Glasgow G12 8QQ, UK