# Primary Sources on Copyright - Record Viewer
Decree on Engravings, Paris (1660)

Source: Bibliothèque nationale de France : Mss. Fr. 22119 n°21

Citation:
Decree on Engravings, Paris (1660), Primary Sources on Copyright (1450-1900), eds L. Bently & M. Kretschmer, www.copyrighthistory.org

Back | Record | Images | No Commentaries
Translation only | Transcription only | Show all | Bundled images as pdf

            Chapter 1 Page 3 of 3 total



and, additionally, it banishes the Arts instead of attracting them
by a favourable reception: HIS MAJESTY, wanting to increase
the courage of those who dedicate themselves to this Art, and by
the marks of his esteem and Justice, to invite his other
Subjects to imitate them, even Foreigners to accustom themselves
to his Kingdom. HIS MAJESTY, being in his Council,
not taking into account the Petition presented to him, nor
the Decree of his Private Council of the seventh February last,
nor everything that could have followed from it, has upheld and
kept, [and] upholds and keeps, the Art of Printmaking, by
engraving and etching and all other techniques such
as they are, and those who make it their profession, both Natives
(Regnicoles) and Foreigners, in the state of freedom they have always had
in the exercise of it throughout the Kingdom, without it being possible
for them to be curtailed in it by Guild membership or Incorporation, nor subjected
to other Rules or Controls, in the name of whomsoever, leaving
things in this Profession as they have been up until the present.
His Majesty forbids the said Lavenage and all others,
to make use of the said Petition and Decree and
of everything that could follow from it; and the said Lieu-
tenant Civil
and the King's Procureur at the Chastelet from
taking any notice of it, nor to suffer any interference
in the exercise of the said Art, on pain of annulment, cancellation
and a fine of three thousand livres plus costs,
damages and interest. PASSED, His Majesty being present,
at the King's Council of State held at saint Jean-du-Luz, the twenty sixth
of May sixteen hundred and sixty.

                              Signed, DE LOMENIE

    


No Transcription available.

Our Partners


Copyright statement

You may copy and distribute the translations and commentaries in this resource, or parts of such translations and commentaries, in any medium, for non-commercial purposes as long as the authorship of the commentaries and translations is acknowledged, and you indicate the source as Bently & Kretschmer (eds), Primary Sources on Copyright (1450-1900) (www.copyrighthistory.org).

You may not publish these documents for any commercial purposes, including charging a fee for providing access to these documents via a network. This licence does not affect your statutory rights of fair dealing.

Although the original documents in this database are in the public domain, we are unable to grant you the right to reproduce or duplicate some of these documents in so far as the images or scans are protected by copyright or we have only been able to reproduce them here by giving contractual undertakings. For the status of any particular images, please consult the information relating to copyright in the bibliographic records.


Primary Sources on Copyright (1450-1900) is co-published by Faculty of Law, University of Cambridge, 10 West Road, Cambridge CB3 9DZ, UK and CREATe, School of Law, University of Glasgow, 10 The Square, Glasgow G12 8QQ, UK