PRIMARY SOURCES

ON COPYRIGHT

(1450-1900)

Fine Art Copyright Bill (20 March), London (1862)

Source: ProQuest: Parliamentary Papers (1862) Paper No.53, I.493-502

Citation:
Fine Art Copyright Bill (20 March), London (1862), Primary Sources on Copyright (1450-1900), eds L. Bently & M. Kretschmer, www.copyrighthistory.org

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Record-ID: uk_1862j

Permanent link: https://copyrighthistory.org/cam/tools/request/showRecord.php?id=record_uk_1862j

Full title:
Bill for amending Law relating to Copyright in Works of Fine Art, 1862, Paper No.53, I.493-502 (20 March)

Full title original language:
N/A

Abstract:
This document is associated with the following core document: uk_1862

Commentary: No commentaries for this record.

Bibliography:
N/A

Related documents in this database:
1853: Blaine's Laws of Artistic Copyright
1858: Report of the Artistic Copyright Committee
1861: Fine Art Copyright Bill
1861: Parliamentary Debates on the Fine Art Copyright Bill (6 May)
1862: Fine Art Copyright Act
1862: Parliamentary Debates on the Fine Art Copyright Act (28 Feb.)
1862: Parliamentary Debates on the Fine Art Copyright Act (6 March)
1862: Parliamentary Debates on the Fine Art Copyright Act (20 March)
1862: Parliamentary Debates on the Fine Art Copyright Act (31 March)
1862: Parliamentary Debates on the Fine Art Copyright Act (22 May)
1862: Parliamentary Debates on the Fine Art Copyright Act (23 May)
1862: Parliamentary Debates on the Fine Art Copyright Act (5 June)
1862: Parliamentary Debates on the Fine Art Copyright Act (24 July)
1862: Fine Art Copyright Bill (27 Feb.)

Author: N/A

Publisher: N/A

Year: 1862

Location: London

Language: English

Source: ProQuest: Parliamentary Papers (1862) Paper No.53, I.493-502

Persons referred to:
Atherton, Sir William
Massey, William Nathaniel
Palmer, Roundell, 1st Earl of Selborne
Victoria

Places referred to:
Dublin
England
Ireland
Scotland

Cases referred to:
N/A

Institutions referred to:
Court of Sessions, Scotland
Parliament
Stationers' Company
Stationers' Hall
Westminster Hall

Legislation:
Copyright Amendment Act, 1842, 5 & 6 Vict., c.45

Keywords:
contract
drawings, protected subject matter
duration, post mortem term
formalities
importation
paintings, protected subject matter
penalties, paid to author(s)
photography, protected subject matter
registration

Responsible editor: Ronan Deazley


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Primary Sources on Copyright (1450-1900) is co-published by Faculty of Law, University of Cambridge, 10 West Road, Cambridge CB3 9DZ, UK and CREATe, School of Law, University of Glasgow, 10 The Square, Glasgow G12 8QQ, UK