PRIMARY SOURCES

ON COPYRIGHT

(1450-1900)

Copyright Act (Public Performance of Musical Compositions), Washington D.C. (1897)

Source: The University of Texas Tarlton Law Library: 29 Stat. 481.

Citation:
Copyright Act (Public Performance of Musical Compositions), Washington D.C. (1897), Primary Sources on Copyright (1450-1900), eds L. Bently & M. Kretschmer, www.copyrighthistory.org

Back | Record | Images | No Commentaries
Translation only | Transcription only | Show all | Bundled images as pdf

3 transcripted pages

Chapter 1 Page 1



THE

STATUTES AT LARGE

OF THE

UNITED STATES OF AMERICA,

FROM

DECEMBER, 1895, TO MARCH, 1897,

AND

RECENT TREATIES, CONVENTIONS, AND EXECUTIVE PROCLAMATIONS,

WITH

AN APPENDIX CONTAINING THE CONCURRENT RESOLUTIONS
OF THE TWO HOUSES OF CONGRESS.
_____________

EDITED, PRINTED, AND PUBLISHED BY AUTHORITY OF
CONGRESS, UNDER THE DIRECTION OF
THE SECRETARY OF STATE.

_____
VOL. XXIX.
_____

WASHINGTON:
GOVERNMENT PRINTING OFFICE.
1897



Chapter 1 Page 2



FIFTY-FOURTH CONGRESS. Sess. II. Chs. 3, 4. 1896, 1897.            481

[...]

      CHAP. 4.—An Act To amend title sixty, chapter three, of the Revised Statutes,
relating to copyrights.

      Be it enacted by the Senate and House of Representatives of the United
States of America in Congress assembled
, That section forty-nine hun-
dred and sixty-six of the Revised Statutes be, and the same is hereby,
amended so as to read as follows:
      "SEC. 4966. Any person publicly performing or representing any
dramatic or musical composition for which a copyright has been


Chapter 1 Page 3



482            FIFTY-FOURTH CONGRESS. Sess. II. Chs. 4,5. 1897.

obtained, without the consent of the proprietor of said dramatic or
musical composition, or his heirs or assigns, shall be liable for damages
therefor, such damages in all cases to be assessed at such sum, not less
than one hundred dollars for the first and fifty dollars for every subse-
quent performance, as to the court shall appear to be just. If the
unlawful performance and representation be willful and for profit, such
person or persons shall be guilty of a misdemeanor and upon conviction
be imprisoned for a period not exceeding one year. Any injunction
that maybe granted upon hearing after notice to the defendant by any
circuit court of the United States, or by a judge thereof, restraining
and enjoining the performance or representation of any such dramatic
or musical composition may be served on the parties against whom
such injunction may be granted anywhere in the United States, and
shall be operative and may be enforced by proceedings to punish for
contempt or otherwise by any other circuit court or judge in the United
States; but the defendants in said action, or any or either of them, may
make a motion in any other circuit in which he or they may be engaged
in performing or representing said dramatic or musical composition to
dissolve or set aside the said injunction upon such reasonable notice to
the plaintiff as the circuit court or the judge before whom said motion
shall be made shall deem proper; service of said motion to be made on
the plaintiff in person or on his attorneys in the action. The circuit
courts or judges thereof shall have jurisdiction to enforce said injunction
and to hear and determine a motion to dissolve the same, as herein pro-
vided, as fully as if the action were pending or brought in the circuit
in which said motion is made.
      "The clerk of the court, or judge granting the injunction, shall, when
required so to do by the court hearing the application to dissolve or
enforce said injunction, transmit without delay to said court a certified
copy of all the papers on which the said injunction was granted that
are on file in his office."
      Approved, January 6,1897.

[...]


Transcription by: Megan Wren

    


Copyright History resource developed in partnership with:


Our Partners


Copyright statement

You may copy and distribute the translations and commentaries in this resource, or parts of such translations and commentaries, in any medium, for non-commercial purposes as long as the authorship of the commentaries and translations is acknowledged, and you indicate the source as Bently & Kretschmer (eds), Primary Sources on Copyright (1450-1900) (www.copyrighthistory.org).

With the exception of commentaries that are available under a CC-BY licence (compliant with UKRI policy) you may not publish individual documents or parts of the database for any commercial purposes, including charging a fee for providing access to these documents via a network. This licence does not affect your statutory rights of fair dealing.

Although the original documents in this database are in the public domain, we are unable to grant you the right to reproduce or duplicate some of these documents in so far as the images or scans are protected by copyright or we have only been able to reproduce them here by giving contractual undertakings. For the status of any particular images, please consult the information relating to copyright in the bibliographic records.


Primary Sources on Copyright (1450-1900) is co-published by Faculty of Law, University of Cambridge, 10 West Road, Cambridge CB3 9DZ, UK and CREATe, School of Law, University of Glasgow, 10 The Square, Glasgow G12 8QQ, UK