# Primary Sources on Copyright - Record Viewer
French Decree on Musical Publications, Paris (1786)

Source: Archives nationales : AD 1075 (document conservé aux Archives nationales, Paris).

Citation:
French Decree on Musical Publications, Paris (1786), Primary Sources on Copyright (1450-1900), eds L. Bently & M. Kretschmer, www.copyrighthistory.org

Back | Record | Images | No Commentaries
Translation only | Transcription only | Show all | Bundled images as pdf

            Chapter 1 Page 2 of 8 total



with the opinion of the Keeper of the Seals, has ordered
& orders what follows:
FIRST ARTICLE

      The Authors & Publishers who will wish to have works
of music engraved, with words or without words, will not
be able to do so without having obtained from the Keeper
of the Seals the permission or the privilege of the seal,
according to the Ordinances and Regulations established
for the Book trade; & he will not make granted, for the
aforementioned works, any privilege of the seal or any
permission to Merchant Publishers, then those justified
by a transfer of rights [cession] to them which will have
been made by the Authors or owners, or that insofar as
they will be the first to present themselves, whilst it
involves a matter of having printed or engraved in the
Kingdom music which, without being a counterfeit, already
will have been engraved or printed in foreign countries.
II.

      All those which will have obtained privileges or
permissions to print, engrave & sell or make sell national
or foreign music, will be held to provide for the public
Libraries, nine copies with the Syndical Chamber of the
Booksellers & Printers [Chambre syndicale des Libraires &
Imprimeurs], or to send them postage-paid, & this before
selling or distributing any other copy.
III.

      No Engraver will engrave music unless he has procured
permission or the privilege of the seal, which he will be
held to engrave at the head of the work, by adding to it
his distinctive mark & his name at the end of work.
IV.

      No Printer in copper-engraving will print music unless
insofar as the formalities prescribed above will be fulfilled
on the copperplate itself, & that after having been in
person, or having sent a self-signed attestation, to make
his statement at the Office of Stamps, which will be addressed
hereafter in article XII & following; in which declaration he

    


No Transcription available.

Our Partners


Copyright statement

You may copy and distribute the translations and commentaries in this resource, or parts of such translations and commentaries, in any medium, for non-commercial purposes as long as the authorship of the commentaries and translations is acknowledged, and you indicate the source as Bently & Kretschmer (eds), Primary Sources on Copyright (1450-1900) (www.copyrighthistory.org).

You may not publish these documents for any commercial purposes, including charging a fee for providing access to these documents via a network. This licence does not affect your statutory rights of fair dealing.

Although the original documents in this database are in the public domain, we are unable to grant you the right to reproduce or duplicate some of these documents in so far as the images or scans are protected by copyright or we have only been able to reproduce them here by giving contractual undertakings. For the status of any particular images, please consult the information relating to copyright in the bibliographic records.


Primary Sources on Copyright (1450-1900) is co-published by Faculty of Law, University of Cambridge, 10 West Road, Cambridge CB3 9DZ, UK and CREATe, School of Law, University of Glasgow, 10 The Square, Glasgow G12 8QQ, UK