PRIMARY SOURCES

ON COPYRIGHT

(1450-1900)

International Copyright Bill, London (1844)

Source: ProQuest: Parliamentary Papers (1844) Paper No.101, I.235-246

Citation:
International Copyright Bill, London (1844), Primary Sources on Copyright (1450-1900), eds L. Bently & M. Kretschmer, www.copyrighthistory.org

Back | Record | Images | No Commentaries
Record-ID: uk_1844a

Permanent link: https://copyrighthistory.org/cam/tools/request/showRecord.php?id=record_uk_1844a

Full title:
Bill to amend Law relating to International Copyright, 1844, Paper No.101, I.235-246

Full title original language:
N/A

Abstract:
The document is associated with the following core document: uk_1844

Commentary: No commentaries for this record.

Bibliography:
N/A

Related documents in this database:
1844: International Copyright Act

Author: N/A

Publisher: N/A

Year: 1844

Location: London

Language: English

Source: ProQuest: Parliamentary Papers (1844) Paper No.101, I.235-246

Persons referred to:
Baring, Henry Bingham
George II
George III
Gladstone, William Ewart
Greene, Edward
Hogarth, Jane
Victoria
William IV

Places referred to:
London

Cases referred to:
N/A

Institutions referred to:
British Museum
House of Commons
Parliament
Stationers' Company
Stationers' Hall

Legislation:
Copyright Amendment Act, 1842, 5 & 6 Vict., c.45
Copyright in Prints and Engravings (Ireland) Act, 1836, 6 & 7 Will.IV, c.59
Engravers' Copyright Act, 1735, 8 Geo.II, c.13
Engravers' Copyright Act, 1766, 7 Geo.III, c.38
Engravers' Copyright Act, 1777, 17 Geo.III, c.57
International Copyright Act, 1838, 1 & 2 Vict., c.59
Models and Busts Act, 1798, 38 Geo.III, c.71
Sculpture Copyright Act, 1814, 54 Geo.III, c.56

Keywords:
anonymous works
deposit
dramatic works, protected subject matter
drawings, protected subject matter
engravings, protected subject matter
fraud
music, protected subject matter
public performance
registration
sculpture, protected subject matter

Responsible editor: Ronan Deazley



Copyright History resource developed in partnership with:


Our Partners


Copyright statement

You may copy and distribute the translations and commentaries in this resource, or parts of such translations and commentaries, in any medium, for non-commercial purposes as long as the authorship of the commentaries and translations is acknowledged, and you indicate the source as Bently & Kretschmer (eds), Primary Sources on Copyright (1450-1900) (www.copyrighthistory.org).

With the exception of commentaries that are available under a CC-BY licence (compliant with UKRI policy) you may not publish individual documents or parts of the database for any commercial purposes, including charging a fee for providing access to these documents via a network. This licence does not affect your statutory rights of fair dealing.

Although the original documents in this database are in the public domain, we are unable to grant you the right to reproduce or duplicate some of these documents in so far as the images or scans are protected by copyright or we have only been able to reproduce them here by giving contractual undertakings. For the status of any particular images, please consult the information relating to copyright in the bibliographic records.


Primary Sources on Copyright (1450-1900) is co-published by Faculty of Law, University of Cambridge, 10 West Road, Cambridge CB3 9DZ, UK and CREATe, School of Law, University of Glasgow, 10 The Square, Glasgow G12 8QQ, UK