PRIMARY SOURCES

ON COPYRIGHT

(1450-1900)

The Case of Designers, Engravers, Etchers, &c., London (1735)

Source: Lincolns Inn Library: MP102, Fol.125

Citation:
The Case of Designers, Engravers, Etchers, &c., London (1735), Primary Sources on Copyright (1450-1900), eds L. Bently & M. Kretschmer, www.copyrighthistory.org

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Record-ID: uk_1735a

Permanent link: https://copyrighthistory.org/cam/tools/request/showRecord.php?id=record_uk_1735a

Full title:
The Case of Designers, Engravers, Etchers, &c. stated in a Letter to a Member of Parliament

Full title original language:
N/A

Abstract:
This document is associated with the following core document: uk_1735

Commentary: No commentaries for this record.

Bibliography:
N/A

Related documents in this database:
1735: Engravers' Copyright Act
1735: Engravers' Copyright Act (parchment copy)
1766: Engravers' Copyright Act
1777: Engravers' Copyright Act

Author: N/A

Publisher: N/A

Year: 1735

Location: London

Language: English

Source: Lincolns Inn Library: MP102, Fol.125

Persons referred to:
Hogarth, William
Lambert, George
Louis XIV
Pine, John
Vandergucht, Gerrard
Vertue, George
Ware, Isaac

Places referred to:
France
London
Westminster

Cases referred to:
N/A

Institutions referred to:
Parliament
Royal Academy of Painting and Sculpture (Paris)

Legislation:
French royal decree on the fine arts (1714)

Keywords:
applied art, protected subject matter
art market
copy
engravings, protected subject matter
incentives
labour theory
lobbying
reputation

Responsible editor: Ronan Deazley


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